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                                            <image:caption>Fiesta Fotográfica, May 2023, Sunnyside Foundation.</image:caption>
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                                            <image:caption>Fiesta Fotográfica, May 2023, Sunnyside Foundation.</image:caption>
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                                            <image:caption>Fiesta Fotográfica, May 2023, Sunnyside Foundation.</image:caption>
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&lt;br /&gt;
PAH 200 El Pueblo Site Visit 1, Fall 2023, Raúl Netza Aguirre.
&lt;br /&gt;
</image:caption>
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                                            <image:caption>El Pueblo Digitizing Day, February 2023, Sunnyside Foundation.</image:caption>
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                                            <image:caption>Fiesta Fotográfica, May 2023, Sunnyside Foundation.</image:caption>
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                                            <image:caption>Fiesta Fotográfica, May 2023, Sunnyside Foundation.</image:caption>
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                                            <image:caption>PAH 200 El Pueblo Site Visit 1, Fall 2023, Raúl Netza Aguirre.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>Fiesta Fotográfica, May 2023, Sunnyside Foundation.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>PAH 200 El Pueblo Community Photoshoot, Fall 2023, Riley Swindall.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>Fiesta Fotográfica, May 2023, Britto.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>FUGA Bike Ride, September 2023, Jacqueline Jean Barrios.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>Fiesta Fotográfica, May 2023, Sunnyside Foundation.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>Fiesta Fotográfica, May 2023, Sunnyside Foundation.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>PAH 200 Frank de la Cruz Visit, Fall 2023, Jacqueline Jean Barrios.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>Fiesta Fotográfica, May 2023, Sunnyside Foundation.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>Viva El Pueblo Project Bloopers, 2023, Jessica Woolf.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>Fiesta Fotográfica CCP Community Visioning Session, Summer 2023, Jacqueline Jean Barrios.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>PAH 200 Review, Fall 2023, Jacqueline Jean Barrios.
&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2052798523339767476141582240470/2305_Fiesta_Fotografica14_Aguirre.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023, Raúl Netza Aguirre.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>PAH 200 Special Collections Visit, Fall 2023, Jacqueline Jean Barrios.
&lt;br /&gt;

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&lt;br /&gt;
</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2052798523413554452436420446934/2305_Fiesta_Fotografica15_Aguirre.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023, Raúl Netza Aguirre.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>Viva El Pueblo Project Bloopers, 2023, Jessica Woolf.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>Fiesta Fotográfica, May 2023, Raúl Netza Aguirre.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>Viva El Pueblo Project, 2023. Jessica Woolf.
&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>PAH 200 Review, Fall 2023, Jacqueline Jean Barrios.
&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>Fiesta Fotográfica, May 2023, Raúl Netza Aguirre.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2052798522878598874298843450070/23SMR_Fiesta_Fotografica_CCP_Community_Visioning_Session_Barrios1.png</image:loc>
                                            <image:caption>Fiesta Fotográfica CCP Community Visioning Session, Summer 2023, Jacqueline Jean Barrios.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>Raúl Netza Aguirre Interview, 2023, Jacqueline Jean Barrios.
&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>PAH 200 CCP Visual Literacy Workshop, Fall 2023, Jacqueline Jean Barrios.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2052798522841705386151424346838/23F_PAH_200_CCP_Visual_LiteracyWorkshop_Barrios.png</image:loc>
                                            <image:caption>PAH 200 CCP Visual Literacy Workshop, Fall 2023, Jacqueline Jean Barrios.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/T2052798522860152130225133898454/23F_Resilencia_Barrios.png</image:loc>
                                            <image:caption>Resiliencia, Fall 2023, Jacqueline Jean Barrios.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/T2052798523099959803183358069462/2305_Fiesta_Fotografica20_Aguirre.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023, Raúl Netza Aguirre.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/S2052798523284427243920453585622/2305_Fiesta_Fotografica12_Sunnyside.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023, Raúl Netza Aguirre.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/H2052798523118406547257067621078/23F_SBE_301_Review_Barrios.png</image:loc>
                                            <image:caption>SBE 301 Review, Fall 2023, Jacqueline Jean Barrios.
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                    <image:loc>https://freight.cargo.site/t/original/i/N2052798523173746779478196275926/23F_Viva_ElPueblo_Project_Woolf.jpeg</image:loc>
                                            <image:caption>Viva El Pueblo Project Bloopers, 2023, Jessica Woolf.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Y2052798523376660964289001343702/23SMR_Fiesta_Fotografica_CCP_Community_Visioning_Session_Barrios.png</image:loc>
                                            <image:caption>Fiesta Fotográfica CCP Community Visioning Session, Summer 2023, Jacqueline Jean Barrios.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/A2052798523007726082814810311382/2305_Fiesta_Fotografica22_Aguirre.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023, Raúl Netza Aguirre.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/U2052798523247533755773034482390/23_SunnysideBlockParty1_Barrios.png</image:loc>
                                            <image:caption>Sunnyside Block Party, 2023, Jacqueline Jean Barrios.
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                    <image:loc>https://freight.cargo.site/t/original/i/J2052798523468894684657549101782/23SMR_Fiesta_Fotografica_CCP_Community_Visioning_Session_Barrios.jpg</image:loc>
                                            <image:caption>Fiesta Fotográfica CCP Community Visioning Session, Summer 2023, Jacqueline Jean Barrios.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/X2052798523229087011699324930774/23F_Viva_ElPueblo_Project_Woolf3.jpeg</image:loc>
                                            <image:caption>Viva El Pueblo Project Bloopers, 2023, Jessica Woolf.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/K2052798523395107708362710895318/2305_Fiesta_Fotografica11__Sunnyside.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023, Raúl Netza Aguirre.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2052798522786365153930295691990/23_Dia_de_la_Ninez_Sunnyside.png</image:loc>
                                            <image:caption>Resiliencia, Fall 2023, Jacqueline Jean Barrios.
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                    <image:loc>https://freight.cargo.site/t/original/i/R2052798523044619570962229414614/23_SunnysideBlockParty2_Barrios.png</image:loc>
                                            <image:caption>Sunnyside Block Party, 2023, Jacqueline Jean Barrios.
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                    <image:loc>https://freight.cargo.site/t/original/i/U2052798522804811898004005243606/2305_Fiesta_Fotografica16_Aguirre.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023, Raúl Netza Aguirre.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/A2052798523026172826888519862998/2305_Fiesta_Fotografica13_Aguirre.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023, Raúl Netza Aguirre.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2052798522952385850593681656534/23F_PAH_200_CCP_Visual_LiteracyWorkshop_Barrios2.png</image:loc>
                                            <image:caption>PAH 200 CCP Visual Literacy Workshop, Fall 2023, Jacqueline Jean Barrios.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/X2052798523302873987994163137238/23SMR_Fiesta_Fotografica_CCP_Community_Visioning_Session_Sunnyside.jpg</image:loc>
                                            <image:caption>Fiesta Fotográfica CCP Community Visioning Session, Summer 2023, Sunnyside Foundation.
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                                            <image:caption>Fiesta Fotográfica, May 2023, Raúl Netza Aguirre.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/I2052798523450447940583839550166/23F_Viva_ElPueblo_Project_Woolf2.jpeg</image:loc>
                                            <image:caption>Viva El Pueblo Project Bloopers, 2023, Jessica Woolf.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/O2052798522915492362446262553302/23_Resiliencia_Barrios.png</image:loc>
                                            <image:caption>Resiliencia, Fall 2023, Jacqueline Jean Barrios.
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                    <image:loc>https://freight.cargo.site/t/original/i/N2052798522989279338741100759766/23F_Viva_ElPueblo_Project_Woolf1.jpeg</image:loc>
                                            <image:caption>Viva El Pueblo Project Bloopers, 2023, Jessica Woolf.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2052798523321320732067872688854/2305_Fiesta_Fotografica19_Aguirre.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023, Raúl Netza Aguirre.</image:caption>
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        </url>
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                        <loc>https://ss22.st/gallery-slideshow-1</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/E2052798271006755291868625685206/2305_Fiesta_Fotografica2_Sunnyside.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023. Sunnyside Foundation.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/W2052798271025202035942335236822/2305_Fiesta_Fotografica1_Sunnyside.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023. Sunnyside Foundation.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2052798270988308547794916133590/2305_Fiesta_Fotografica7_Sunnyside.jpg</image:loc>
                                            <image:caption>Bailarinas de danza folclórica (folclórico dancers), Fiesta Fotográfica, May 2023.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2052798270859181339278949272278/23F_PAH_200_El_Pueblo_Site_Visit_2_Aguirre.JPEG</image:loc>
                                            <image:caption>PAH 200 El Pueblo Site Visit 2 Group Photo, Fall 2023. Taken by Raúl Aguirre.
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                    <image:loc>https://freight.cargo.site/t/original/i/R2052798270877628083352658823894/2302El_Pueblo_Digitizing_Day_Sunnyside.jpg</image:loc>
                                            <image:caption>Conversations at El Pueblo Digitizing Day, February 2023.
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                    <image:loc>https://freight.cargo.site/t/original/i/H2052798270951415059647497030358/2305_Fiesta_Fotografica10_Sunnyside.jpeg</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023. Sunnyside Foundation.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2052798271080542268163463891670/2305_Fiesta_Fotografica3_Sunnyside.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023. Sunnyside Foundation.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2052798271098989012237173443286/23F_PAH_200_El_Pueblo_Site_Visit_1_Aguirre.jpeg</image:loc>
                                            <image:caption>Two University of Arizona students using a Polaroid. PAH 200 El Pueblo Site Visit 1, Fall 2023. Taken by Raúl Aguirre.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2052798270969861803721206581974/2305_Fiesta_Fotografica5_Sunnyside.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023. Sunnyside Foundation.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/V2052798270822287851131530169046/23F_PAH_200_El_Pueblo_Community_Photo_Shoot__Swindall_Riley.jpg</image:loc>
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PAH 200 El Pueblo Community Photoshoot, Fall 2023, Riley Swindall.
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PAH 200 El Pueblo Community Photoshoot, Fall 2023, Riley Swindall.&lt;br /&gt;
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PAH 200 El Pueblo Community Photoshoot, Fall 2023, Riley Swindall.
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PAH 200 El Pueblo Community Photoshoot, Fall 2023, Riley Swindall.
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PAH 200 El Pueblo Community Photoshoot, Fall 2023, Riley Swindall.&lt;br /&gt;
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PAH 200 El Pueblo Community Photoshoot, Fall 2023, Riley Swindall.&lt;br /&gt;
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PAH 200 El Pueblo Community Photoshoot, Fall 2023, Riley Swindall.
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                    <image:loc>https://freight.cargo.site/t/original/i/W2052798270914521571500077927126/2305_Fiesta_Fotografica9_Britto.jpg</image:loc>
                                            <image:caption>Fiesta Fotográfica Poster, May 2023. Made by Britto.
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                    <image:loc>https://freight.cargo.site/t/original/i/K2052798270932968315573787478742/2309_FUGA_Barrios.png</image:loc>
                                            <image:caption>FUGA Bike Ride, September 2023. 
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                                            <image:caption>Cassandra Becerra at Fiesta Fotográfica, May 2023.
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                    <image:loc>https://freight.cargo.site/t/original/i/B2052798271062095524089754340054/2305_Fiesta_Fotografica6_Sunnyside.jpg</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023. Sunnyside Foundation.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2052798270840734595205239720662/23F_PAH_200_Frank_de_la_Cruz_Visit__Barrios.jpeg</image:loc>
                                            <image:caption>Librarians at the Frank de la Cruz Library and their favorite book. PAH 200 Frank de la Cruz Visit, Fall 2023.  
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                    <image:loc>https://freight.cargo.site/t/original/i/B2052798270896074827426368375510/2305_Fiesta_Fotografica8_Sunnyside.jpg</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023. Sunnyside Foundation.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/X2052798522823258642077714795222/23F_Viva_ElPueblo_Project_Blooper_Woolf.jpeg</image:loc>
                                            <image:caption>Viva El Pueblo Project Blooper, 2023. Jessica Woolf.
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                    <image:loc>https://freight.cargo.site/t/original/i/A2052798523432001196510129998550/23SMR_Fiesta_Fotografica_CCP_Community_Visioning_Session_Barrios1.jpg</image:loc>
                                            <image:caption>Fiesta Fotográfica CCP Community Visioning Session, Summer 2023, Jacqueline Jean Barrios.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/B2052798522933939106519972104918/23F_PAH_200_Review_Barrios1.png</image:loc>
                                            <image:caption>PAH 200 Review, Fall 2023.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/I2052798523339767476141582240470/2305_Fiesta_Fotografica14_Aguirre.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023. Taken by Raúl Aguirre.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/V2052798523155300035404486724310/23F_PAH_200_Special_Collections_Visit_Barrios.png</image:loc>
                                            <image:caption>PAH 200 Special Collections Visit with Bob Diaz and Alba Fernandez-Keys, Fall 2023.
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                    <image:loc>https://freight.cargo.site/t/original/i/C2052798523413554452436420446934/2305_Fiesta_Fotografica15_Aguirre.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023. Taken by Raúl Aguirre.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/E2052798523081513059109648517846/23F_Viva_ElPueblo_Project_Woolf4.jpeg</image:loc>
                                            <image:caption>Viva El Pueblo, Viva El Pueblo Project, 2023. Jessica Woolf.
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                    <image:loc>https://freight.cargo.site/t/original/i/A2052798523136853291330777172694/2305_Fiesta_Fotografica18_Aguirre.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica Mariachis, May 2023. Taken by Raúl Aguirre.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/F2052798523063066315035938966230/23F_Viva_ElPueblo_Project_Woolf.png</image:loc>
                                            <image:caption>Viva El Pueblo Project, 2023. Jessica Woolf.
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                    <image:loc>https://freight.cargo.site/t/original/i/U2052798523358214220215291792086/23F_PAH_200_Review_Barrios.png</image:loc>
                                            <image:caption>

PAH 200 Review, Fall 2023.

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                    <image:loc>https://freight.cargo.site/t/original/i/P2052798523265980499846744034006/2305_Fiesta_Fotografica21_Aguirre.JPG</image:loc>
                                            <image:caption>Fiesta Fotográfica, May 2023. Taken by Raúl Aguirre.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/L2052798522878598874298843450070/23SMR_Fiesta_Fotografica_CCP_Community_Visioning_Session_Barrios1.png</image:loc>
                                            <image:caption>Fiesta Fotográfica CCP Community Visioning Session, Summer 2023, Jacqueline Jean Barrios.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/S2052798523192193523551905827542/23Raul_Aguirre_Interview_Barrios1.png</image:loc>
                                            <image:caption>Raúl Aguirre Interview, 2023.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/R2052798522970832594667391208150/23F_PAH_200_CCP_Visual_LiteracyWorkshop_Barrios1.png</image:loc>
                                            <image:caption>PAH 200 CCP Visual Literacy Workshop Entrance and Presentation, Fall 2023.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/D2052798522841705386151424346838/23F_PAH_200_CCP_Visual_LiteracyWorkshop_Barrios.png</image:loc>
                                            <image:caption>PAH 200 CCP Visual Literacy Workshop Film Photographs, Fall 2023.
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                    <image:loc>https://freight.cargo.site/t/original/i/T2052798522860152130225133898454/23F_Resilencia_Barrios.png</image:loc>
                                            <image:caption>Resiliencia, Fall 2023.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/T2052798523099959803183358069462/2305_Fiesta_Fotografica20_Aguirre.JPG</image:loc>
                                            <image:caption>Raúl Grijalva at Fiesta Fotográfica, May 2023.</image:caption>
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                                            <image:caption>Fiesta Fotográfica, May 2023. Sunnyside Foundation.
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                    <image:loc>https://freight.cargo.site/t/original/i/H2052798523118406547257067621078/23F_SBE_301_Review_Barrios.png</image:loc>
                                            <image:caption>SBE 301 Review, Fall 2023.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/N2052798523173746779478196275926/23F_Viva_ElPueblo_Project_Woolf.jpeg</image:loc>
                                            <image:caption>The Spirit of El Pueblo, Viva El Pueblo Project, 2023. Jessica Woolf.
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                    <image:loc>https://freight.cargo.site/t/original/i/Y2052798523376660964289001343702/23SMR_Fiesta_Fotografica_CCP_Community_Visioning_Session_Barrios.png</image:loc>
                                            <image:caption>Fiesta Fotográfica CCP Community Visioning Session, Summer 2023.
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                                            <image:caption>Fiesta Fotográfica, May 2023. Taken by Raúl Aguirre.</image:caption>
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                                            <image:caption>Sunnyside Block Party, 2023</image:caption>
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                                            <image:caption>Fiesta Fotográfica CCP Community Visioning Session, Summer 2023, Jacqueline Jean Barrios.</image:caption>
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                                            <image:caption>A Sense of Pride, Viva El Pueblo Project, 2023. Jessica Woolf.
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                                            <image:caption>Fiesta Fotográfica, May 2023. Sunnyside Foundation.</image:caption>
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                                            <image:caption>Resiliencia, 2023. Luis Fernando Gonzalez.</image:caption>
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                                            <image:caption>Sunnyside Block Party, 2023
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A family gets their photo taken, Fiesta Fotográfica, May 2023. Taken by Raúl Aguirre.
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A family gets their photo taken, Fiesta Fotográfica, May 2023. Taken by Raúl Aguirre.
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                                            <image:caption>Fiesta Fotográfica, May 2023. Taken by Raúl Aguirre.</image:caption>
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                                            <image:caption>PAH 200 CCP Visual Literacy Workshop. Fall 2023.
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                                            <image:caption>Fiesta Fotográfica CCP Community Visioning Session, Summer 2023, Sunnyside Foundation.
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                                            <image:caption>Fiesta Fotográfica, May 2023. Taken by Raúl Aguirre.</image:caption>
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                                            <image:caption>We Are Here, Viva El Pueblo Project, 2023. Jessica Woolf.
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                                            <image:caption>Resiliencia, Fall 2023.</image:caption>
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                                            <image:caption>Like Monarchs, Viva El Pueblo Project, 2023. Jessica Woolf.
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                                            <image:caption>Fiesta Fotográfica, May 2023. Taken by Raúl Aguirre.</image:caption>
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                                            <image:caption>&lt;i&gt;a través de nuestros ojos / through our eyes&lt;/i&gt;, Jessica Wol</image:caption>
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                                            <image:caption>Alfonso’s Stories | Calvin Welch | 2023 | Digital Collage &lt;br /&gt;

&lt;br /&gt;This digital photograph is of local community member and City of Tucson Parks and Recreation Communications Supervisor, Alfonso Romero, after he shared with me a few stories of his childhood at El Pueblo. The interview/conversation that I personally had with Alfonso covered a variety of subject matter ranging from anecdotal stories of playing pick-up basketball with his friends in the patio (shown behind him), to volunteering for community relief events such as “Thanksgiving in the Barrio.” By creating a collage using photos including a group of children&amp;#x27;s basketball game, the 2016 “Thanksgiving in the Barrio” event held at the center, and Alfonso himself, I was able to blend them together by manipulating the opacity of each photo. Using Photoshop, I was then able to smoothly blend each photo together in order to create a natural transition between borders. Playing basketball with his friends and serving community members on Thanksgiving are not just memories of the past, these things are not behind him as much as they are within him. What I found to be most meaningful during our conversation was the moment Alfonso reflected on the impact that these events had on the younger generations. These events were so meaningful and helped so many peoples families that years later, the very children who attended them returned in order to volunteer and help their neighbors and southside community. Stories like Alfonso&amp;#x27;s really encapsulate the special bond that this center holds with all generations it has seen and will see. </image:caption>
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                                            <image:caption>Lupita &amp;#x26; Her Family | Frankie Batiz | 2023 | Digital &lt;br /&gt;

&lt;br /&gt;In this heartwarming photograph, Lupita, Julissa, and Illiana stand together near a family tree at the El Pueblo Center. The three generations of women are a beautiful testament to the power and importance of intergenerational families. The family tree behind them serves as a reminder of their deep roots and rich history, connecting them to generations that came before and those that will follow. This tree represents the strength, resilience, and continuity of their family, passed down from one generation to the next. As they stand together, Lupita, Julissa, and Illiana embody the timeless values of family, love, and respect, a beautiful example for all to see. In a world that often seems focused on individualism, this photograph serves as a poignant reminder of the importance of family and the powerful bonds that connect us across generations. Lupita Robles is Council Aide with Ward 5, Council Member Richard Fimbres and local leader</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;Lupita’s Family Tree | Calvin Welch | Source photos taken by Frankie Batiz | 2023 | Digital Collage&lt;br /&gt;&lt;br /&gt;
Shown here is a digital collage created by Calvin Welch using fellow teammate photographer Frankie Batiz’s original photographs. Lupita’s Family Tree is included in the digital collage “Intergenerational Families: El Pueblo,” which explores the El Pueblo Center’s community wide impact on individuals from different generations. The collage is composed of visual images created by Calvin Welch, originally taken in various locations throughout the main patio at El Pueblo Center on March 23, 2023. &lt;br /&gt;
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With the help of both community members and staff who together form the deep, unbreakable roots that give life to the El Pueblo Center,  I hoped to illustrate not only the center and community members past and present, but also draw attention to their future. By lowering the opacity, the intention was to use the filter along with the decreasing transparency (left to right) as a measurement for time between each generation. This particular tree behind Lupita and her family is planted in the center of the patio and provides all visitors with shade and protection that will last for generations. &lt;/div&gt;&lt;br /&gt;
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                                            <image:caption>Selina &amp;#x26; Gracie | Frankie Batiz | 2023 | Digital&lt;br /&gt;

&lt;br /&gt;In this beautiful photograph, Selina Barajas and her mother, Gracie Rodriguez share a tender embrace on the patio of the El Pueblo Center. The two women are a powerful reminder of the importance of intergenerational families, a theme that has been a part of El Pueblo for generations. As they hold each other close, Selina and her mother embody the deep bond that connects families across time and generations. Their embrace is a symbol of the love, support, and strength that has been passed down from one generation to the next, through the families that have been a part of the El Pueblo community for many years. For Selina and her mother, the El Pueblo Center has been a place where they have formed lifelong connections with other families, and where they have celebrated the rich cultural heritage that is an integral part of their identity. They are surrounded by the history and traditions of the community that has nurtured them and that they, in turn, have helped to shape. Through their embrace, Selina and her mother show us that the bonds of family and community are timeless and enduring. They remind us that we are all connected, and that the strength of our families and communities lies in the love and support that we offer to one another, across generations and across time.</image:caption>
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                                            <image:caption>Julie and Her Friends | Alexander Maldonado | March 31st, 2023 | Digital
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This photograph is of University of Arizona student Julia (front), who came with her friends, Sarah and Angela ( back ) to the FUGA bike event. I had a chance to talk to them and they said that they came to the FUGA bike event to have fun biking alongside other participants in the event. Julia was telling me about how she finds biking as a way to relax from work and studies and brings her new energies into her works. The group described to me about how powerful it is to witness the community unity at a place like El Pueblo Center and come together to learn about each other and share stories and experiences with each other, no matter their age or backgrounds. When photographing these students, the idea of having context became essential. In the context of this image, I am not just capturing Julia and her friends riding their bikes, but I am also emphasizing their excitement and commitment to joining the FUGA bike ride and riding alongside other cyclist for a good purpose. The context of images like these is that family are those with whom we share precious moments like these.
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                                            <image:caption>Ladies of Sunnyside Foundation | Piper Kilb | March 23rd 2023 | Digital
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These four ladies from Sunnyside Foundation were very nice to talk to during our site visit. Karla Toledo, Veronica Cruz Mercado, Laura Corrales, and Elizabeth Soltero are pictured in this photograph taken at the El Pueblo Neighborhood Center patio/courtyard. The Sunnyside Foundation does many things for the community including having various funds that help invest in various projects that contribute to a better community for the families, students, and teachers in Tucson’s Southside. The ladies from Sunnyside Foundation showed their support and love for everyone that has a connection to El Pueblo Neighborhood Center. They spend their every day trying to do good for the community and Southside of Tucson so speaking to them about how many communities they have touched and helped really speaks volumes about their work. I photographed them in front of the tree on the El Pueblo Neighborhood Center patio/courtyard because they are a family within their own and what they do for the community and especially El Pueblo is very special not only to them but to everyone who gets a chance to witness it.
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                                            <image:caption>Shaping of Alfonso | Kyle McBee | Creative Direction by Calvin Welch| 2023 Digital&lt;br /&gt;&lt;br /&gt;
Shown above is a picture of Alfonso Romero at the El Pueblo Center. El Pueblo, which means &amp;#x22;the town&amp;#x22; or &amp;#x22;the village&amp;#x22; in Spanish, refers to small, tight-knit communities where people know each other and look out for each other. Since our group’s topic is on multigenerational families, this is the perfect representation of El Pueblo and how it stands as a pillar for the youth . For many children like Alfonso, growing up in such a community can have a significant impact on their childhood and creating a positive future. Whether having positive role models and becoming one in the future, or just remembering the good old days having fun with friends and family like Alfonso’s stories portrayed, times like these will have a lasting impact. One of the key benefits of growing up in El Pueblo is the sense of community and belonging it provides. Children who grow up in such a community often develop strong relationships with their neighbors and fellow community members. This was very evident from the very first time we visited El Pueblo and saw how everyone on the community storytelling panel interacted like family members who hadn’t seen each other in awhile. Alfonso’s stories from when he was a child was a pleasure to hear and document, and with the center full of life I have no doubt many others will have similar experiences to share.</image:caption>
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                                            <image:caption>David Garcia | Alexander Maldonado | March 31,2023 | Digital&lt;br /&gt;

&lt;br /&gt;This photograph is of David Garcia, resident Fairgrounds Neighborhood and Founder of Barrio Restoration. I got to know more about David, from when he started the local community clean up group, Barrio Restoration, to his passion for lowrider style bikes and even his early days in Tucson and specially at El Pueblo Center, where his family and the whole community would gather to bond together. He said that he has known the staff here for many years now ever since he was a child and now works together with the Sunnyside Foundation to lead community clean up campaigns around the community and help gather more support to restore and conserve the “beautiful area that is El Pueblo,” He says that he wants to restore the neighborhoods of Tucson that have fallen into decay and neglect. He feels proud of the advancements his organization has made.&lt;br /&gt;

&lt;br /&gt;For this image, I took a more content-based approach to capturing an image of David and his custom built Barrio Restoration bike in full display. I wanted to not only capture David being present at the FUGA Southside bike ride, but also how he is contributing to the cause by bringing his bike along with him.&lt;br /&gt;

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                                            <image:caption>David and Deborah | Alexander Maldonado | March 31st,  2023 | Digital
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This photograph is of local community members and avid cyclists, David and Deborah Ortiz.. It was splendid to get to talk to this couple who came to the FUGA bike event to not only show their support, but also assist other cyclists in preparing for distant bike ride. They told me that they have been avid cyclists for the almost 45 years they have been married. They have traveled all places with their bikes and enjoy teaching other cyclists about the sport and how it can help foster communal unity in a community. David and Deborah mentioned that activities likes sports, hobbies, or any that just brings people and places together helps foster multigenerational bonding by bringing everyone together for a great and social cause. For this image of the harmonious couple, I went with a more compositional and contextual approach. I didn’t just focus on capturing the couple and their bicycles, but I also wanted to reflect the environment in which the image was taking place. I was able to photograph the surrounding set up, with all the bikes and cars in the communal surrounding of the event.
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                                            <image:caption>Selina’s Girls | Piper Kilb | March 23rd, 2023 | Digital
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“Selina’s Girls” is part of the digital collection, “Intergenerational Families: El Pueblo Neighborhood Center.” In this project, several photographers and artists work together to compose images of intergenerational families from El Pueblo Neighborhood Center to show the impact that generations can have on a community and society. This photograph shows Selina Barajas, her mother Gracie, and her two daughters: Mia Sol and Sofia Luna. Working with Selina Barajas throughout this project all semester has been very rewarding. Our class hears her talk all the time about how important El Pueblo is to her and her family and you can tell how much she loves the site because we see how much work she puts into this project for our class. Seeing and talking to Selina’s mother and her two precious daughters about all of their memories with El Pueblo was very special. The comfort and security that the children felt there was very visible and I think this photo depicts that as well. In this photo, I captured Selina and her family in front of this tree which is very special to the El Pueblo Neighborhood Center. Our project as we focus on Intergenerational families and so it represents the concept of “family trees.” This photo was my favorite to capture because you can see the personality shine throughout each person in the photo. To see all of the personalities of one family and how different they are in the photo is very special and I was grateful to take part in it.
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                                            <image:caption>The Littles | Piper Kilb | March 23rd, 2023 | Digital
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This photograph is of Mia Sol, Sofia Luna, Khloe and Sam. I love this photograph because I think it perfectly encapsulates the youngest version of our subject which is Intergenerational Families within El Pueblo Neighborhood Center. Watching the children interact with each other and show how deep their bond was with one another was super cute as well as important. It showed not only myself as the photographer but everyone in El Pueblo Neighborhood Center that day what family, neighborhood/community, and time can do. The littles showed their gratitude for El Pueblo Neighborhood Center throughout that entire visit. They ran around and played with each other, engaged in conversation, and were open to photography and what we were trying to capture. As you can see, this photo was also taken of the little ones next to the tree in the courtyard/patio of El Pueblo Neighborhood Center. This tree as I explained in the other photo description is very important to El Pueblo Neighborhood Center as we focus on Intergenerational families and “family trees”. This photo was super fun to capture because you can see the personality shine throughout each little one in the photo. They made the day so fun and they were a perfect example of intergenerational families and how love and support to one another can grow through multiple generations.
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                                            <image:caption>Lupita and Family | Kyle McBee | March 23rd 2023 | Digital
&lt;br /&gt;

&lt;br /&gt;
As shown in the picture above, after meeting Lupita and her beautiful family we had the creative idea to take a picture under the tree to represent a family tree and show how El Pueblo is a community full of family. As many can relate nothing is more important than keeping up with everyone around us and El Pueblo is a center where the main goal is to interact like a family to everyone whether you are young or old. In the photo, not only did we capture how El Pueblo is represented but we depicted how Professor Barrios has treated each group. Our group is always communicating about projects and how we should represent our work and always including each other. I think has been a really positive for myself and my fellow group members about how team projects should feel.
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                                            <image:caption>Future Congressman | Lauren Fields | 2023 | Digital
&lt;br /&gt;

&lt;br /&gt;
During our tour of Congressman Raύl Grijalva’s office, a particular frame caught my attention as it aligned perfectly with our project&amp;#x27;s overarching theme. I sought to capture images that not only accurately depicted the El Pueblo community but also reflected the perspectives of its diverse inhabitants. This photograph resonated with me because the word &amp;#x22;Future&amp;#x22; stood out prominently in its context. The photo, taken on March 28, 1974, featured Congressman Grijalva and depicted his efforts to change the election method for school board members from a districtwide system to a ward-type system. The image not only represented Grijalva&amp;#x27;s future as a congressman but also symbolized the future of the El Pueblo Center and surrounding community. The photograph composition and accompanying description helped tie together our project&amp;#x27;s overall theme.
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                                            <image:caption>El Pueblo Youth | Neylan Jeffryes | 2023 | Digital 
&lt;br /&gt;

&lt;br /&gt;
This photo was taken in the office of Congressman Raύl Grijalva with the 
&lt;br /&gt;
gracious help of Cassandra Becerra, Director of Public  Engagement, Rep. Raúl M. 
&lt;br /&gt;
Grijalva. My goal and inspiration when we visited was to be able to capture the 
&lt;br /&gt;
homey and vibrant essence of the past in the community center’s spaces. This 
&lt;br /&gt;
image was taken during one of the shows that the staff and volunteers put on 
&lt;br /&gt;
for the kids at the El Pueblo Center. They used to put on comedies, puppet 
&lt;br /&gt;
shows, and different cultural events. I loved how eager and focused these kids 
&lt;br /&gt;
look together. The youth of El Pueblo found great joy in going to this center every 
&lt;br /&gt;
week. It was a place they could be around friends and family, but also a place to 
&lt;br /&gt;
learn and know that you were safe. Many kids and parents found a sense of 
&lt;br /&gt;
comfort coming to El Pueblo Center and was a great way to keep growing the 
&lt;br /&gt;
culture of the community.  You can really feel from looking at this picture how 
&lt;br /&gt;
much life has been in this community for many decades. I was very lucky that 
&lt;br /&gt;
Ms. Becerra was able to find this picture so that I’m able to share it and 
&lt;br /&gt;
continue the circulation of the past of El Pueblo.
&lt;br /&gt;

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                                            <image:caption>Limpia | Maelyca Drazkowski | 2023 | Digital
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&lt;br /&gt;
This image that I have titled Limpia features many  cultural fragments. We see the sage that is burnt before the Congressman is to return from Capitol Hill by his staff and burnt again by him upon return as well.  I felt as though this picture was important when displaying who El Pueblo is because it shows the traditions and cultures behind the space. El Pueblo is more than just a space for the community to go, but a safe haven for its employees and staff members. Another element of this image that I really enjoy is the Virgen de Guadalupe candle that is placed right beside the sage. This candle cleanses your space, and is believed to bring positive energy. I believe that  the entirety of this image shows just how dedicated El Pueblo is to bringing positivity to Tucson, and fulfilling a desire for its community to feel and see greatness. With that being said, I thought it was important to keep this image as raw and unfiltered as possible so that it would accurately display how this area is not only seen but how it is interpreted by each 
&lt;br /&gt;
individual that comes into contact with the scene.
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                                            <image:caption>Community Center Memories | Neylan Jeffreyes | 2023 | Digital
&lt;br /&gt;

&lt;br /&gt;
As we were wrapping up our tour of Congressman Grijalva’s Office, Ms. Becerra found a couple more pictures and I admired the brilliance of the lighting and space captured. After looking at this picture, one could say it looks like the perspective of another child watching their friend try to hit the piñata. Seeing the kid standing blindfolded gives me a sense of trust and warm comfort for the people who visited El Pueblo. Similar to many other spaces in the El Pueblo Center, the courtyard is another important spot where many gathered. I would say the courtyard is a staple of the community of El Pueblo. Many have gathered here to not only celebrate their culture, but also beautify the space with traditional decorations. El Pueblo Center really gave parents and families the opportunities to give their children a place away from home to have fun. It is fortunate that these pictures resurfaced so that we could circulate the history of this community and hopefully get others to visit and see what the center is truly about.
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                                            <image:caption>Supremo | Maelyca Drazkowski | 2023 | Digital
&lt;br /&gt;

&lt;br /&gt;
This photo was taken in the El Pueblo Center at the Frank De La Cruz - El Pueblo Library. This 
&lt;br /&gt;
book is a part of the Frank De La Cruz Collection that focuses on U.S./Mexico Borderland 
&lt;br /&gt;
history, culture and traditions; literature that is so important to the community and 
&lt;br /&gt;
culture of El Pueblo Center. I took this photo without moving or changing the position of the 
&lt;br /&gt;
book as I wanted to display what it looks like to visitors at the library. Yo El Supremo is a 
&lt;br /&gt;
fiction novel by Augusto Roa Bastos that details the true story that is known all too well of 
&lt;br /&gt;
the dictatorships faced by many in Latin America. Yo El Supremo displays the belief that 
&lt;br /&gt;
your story can be told and heard no matter what your background is and I believe the idea 
&lt;br /&gt;
of a strong community despite your circumstances is exactly what El Pueblo embodies for 
&lt;br /&gt;
those that frequent the center. The work  has a strong themes of language and power, two 
&lt;br /&gt;
themes that are also strong within Chicano activism. A quote that I believe is very 
&lt;br /&gt;
descriptive of what I hope to display through these images from this literature is as follows 
&lt;br /&gt;
&amp;#x22;The man with a good memory remembers nothing because he forgets nothing.&amp;#x22; I want to 
&lt;br /&gt;
display not just who El Pueblo Center started as but what it will grow into and how it will be 
&lt;br /&gt;
remembered, that go beyond the news articles and televised events.
&lt;br /&gt;
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                                            <image:caption>Library Traditions | Lauren Fields | 2023 | Digital
&lt;br /&gt;

&lt;br /&gt;
The El Pueblo community&amp;#x27;s enduring traditions are depicted in this image, which narrates a compelling story. Upon scrutinizing the photograph, one may notice that all the books in it are written in Spanish, a testament to the community&amp;#x27;s deep-rooted cultural heritage. However, the fifth book from the left appears to be out of place, implying that someone may have moved 
&lt;br /&gt;
it. During our tour, Ms. Anna Sanchez, a retired librarian with many years of service informed me that such occurrences are commonplace in the Spanish section of the Frank de la Cruz- El Pueblo library. She further explained that the Spanish-speaking community harbored a long-standing fear of damaging or losing books, so they return them to their original positions if they cannot finish reading them. Ms. Anna Sanchez’s revelation is indicative of how the El Pueblo community has remained true to this  tradition over the years.
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                                            <image:caption>Sage | Tyler Green | 2023 | Digital 
&lt;br /&gt;

&lt;br /&gt;
This photo was taken within Congressman Grijalva’s Office, and showcases something of particular importance to him. We were told that sage such as this helped him and his staff through tough times, and helped them all keep a constant spiritual support and general sense of hope in the air. While in his office, and hearing about the significance of the sage, I remembered what we learned from Kevin Lynch, again, about nodes in urban design. While something small scale such as an individual office might not strictly fall within the wider context of urban design, many of the same principles apply. In this case, the sage in his office very much acted as a node for the people in his office as well as himself. Offering a point around which to gather and let the troubles of the day wash away. As very similar to the concept of a node, it acts as the glue holding together the office space. In my photoshop edit, I wanted to show how this sage emanates much more than just a particular scent, but also defines and shapes the space within which it resides. In this case, Congressman Grijalva’s Office is reshaped in a profoundly spiritual way through the use of this sage, and that reverberates back to moments when the office and Grijalva were going through tough times, as well as promises toward the future during which this sage will continue to serve as a reminder of a consistent calming spiritual aura.
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                                            <image:caption>Collage of the Past | Lauren Fields | 2023 | Digital
&lt;br /&gt;

&lt;br /&gt;
Through this photograph, I have managed to capture numerous glimpses of the past, all depicting events that occurred at the El Pueblo Neighborhood Center. The image I have chosen encapsulates the essence of the past and the aspirations of the community to return to it. It portrays events that highlight the community&amp;#x27;s emphasis on family values and providing a secure space for all its members. During our initial site visit, the storytellers expressed their desire for the community center to revert to its former state. These pictures showcase the events that fostered a familial atmosphere that the community aims to revive in the present.
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                                            <image:caption>Mirror Pillar | Tyler Green | 2023 | Digital
&lt;br /&gt;

&lt;br /&gt;
El Pueblo is more than the sum of its image in the moment. Reflections of its hope for the future can be found anywhere, in every brick and every pillar. I was inspired by the artist and scholar Annette Kim’s Sidewalk City, a spatial study of a sidewalk in Vietnam that we learned about earlier in the class, and I wanted to create something in a somewhat artistic manner to reflect this type of study. My interest in this project has mostly been around the spatial development of El Pueblo both in terms of its current state as well as its relations to other times and ideas. This photo was taken during our second site visit and was of one of the pillars in the square area reflected into a pool of water. Originally I thought this was a great opportunity to show the idea of spatial relationships reflected in the spatial construction of a place, and thus the connection through time between past and present. I expanded on this in my photoshop final edit, which added some highlighting to the pillar, and I also added the words “hope” and “community,” as well as a small scene of El Pueblo and the central plaza out of the bricks. This is to show that there is possibility for a truly lively and revitalized El Pueblo around every corner, and that the traces of the love that has and will go into El Pueblo are in every brick, every pillar, every building.
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                                            <image:caption>a corridor of hope | Tyler Green | March 23 2023 | Digital
&lt;br /&gt;

&lt;br /&gt;
This photo was originally of an empty hall near the main plaza. While walking through this hallway, I got a distinct sense of melancholy and something resembling nostalgia. After hearing the thoughts of the community members, I realized that the space itself gave off an inherently saddening effect, almost in a liminal sense. One gets the impression of a distant past vibrancy hinted at and echoing through the space. I was inspired particularly by the work of Kevin Lynch’s The Image of The City, in that this space is very much a transitive connection, and one that has been left off to the side as a result of the closing off of the area. My attempt with this edited final version was to show hints of how the spatial organization of the area could be completely different, and that it isn&amp;#x27;t written in stone. The hints of brightness and polka dots on the walls show little windows into a more lively space that could be created. The green door at the end of the hallway could thus be interpreted as a goal to be strived for, an ideal version of the area that is filled with vibrancy even more than the hints of which are already present. It gives a contrasting sense of both the past and present being within spaces all at once. Most aren’t actively looking for them, but people such as those who are leading El Pueblo do, and they are doing everything they can to bring out these hidden and reflected glimmers of hope and vibrancy. All it takes is imagination, and hope. Both of which the leadership of El Pueblo have a lot of. a corridor of hope.
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                                            <image:caption>Multi-Purpose Leadership | Neylan Jeffryes | 2023 | Digital
&lt;br /&gt;

&lt;br /&gt;
As with most of my photographs, this was taken in Congressman Raύl 
&lt;br /&gt;
Grijalva’s office. I noticed it immediately as we were in the same room on 
&lt;br /&gt;
the day of our first site visit. It was captured decades ago in the same 
&lt;br /&gt;
multi-purpose room that is still in use today. Before Representative 
&lt;br /&gt;
Grijalva was in Congress, he spent a lot of time at El Pueblo as the 
&lt;br /&gt;
Director. With the help of the community, the liveliness and culture of the 
&lt;br /&gt;
center spread and more people kept visiting. As the popularity of the El 
&lt;br /&gt;
Pueblo Center started to rise, they wanted to start more programs. 
&lt;br /&gt;
Congressman Grijalva played a big part in these ideas, leading with those 
&lt;br /&gt;
around him. Although many important and monumental meetings were 
&lt;br /&gt;
held in this “multi-purpose room,” so many other events took place. Many 
&lt;br /&gt;
residents of the neighborhood would celebrate their families’ birthdays, 
&lt;br /&gt;
weddings, and other social events in this very room captured in the 
&lt;br /&gt;
image. There is an important connection between El Pueblo and the 
&lt;br /&gt;
Congressman  as he is a man serving his community.
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                                            <image:caption>Light in the Dark | Maelyca Drazkowski | 2023 | Digital
&lt;br /&gt;

&lt;br /&gt;
This image is of a  shadow from one of the remaining banners hanging from the Dia De Los Muertos celebration that was held at El Pueblo Center. Dia De Los Muertos directly translates to Day of the Dead. It is a celebration of remembrance for those that came before you whether they be loved ones or historical figures that paved the way. I was moved to take this photo because the courtyard pillar in which this shadow is so perfectly placed, the courtyard being a part of the original building of El Pueblo Neighborhood Center.  I feel as though this image is the perfect celebration of the center that used to be,  and what it has become–the little library that started in an office size building and the multi-purpose room they are starting renovations on.Throughout this photo-project we refer to El Pueblo Center as a who, personifying its  presence in the community and continuing this sentiment. I feel as though this photo represents the current El Pueblo Center, celebrating the person that came before it, almost like a daughter celebrating her mother and who she encouraged her to become.
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                                            <image:caption>Mama Mirector | Lily Reese | 2023 | Digital
&lt;br /&gt;

&lt;br /&gt;
Selina Barajas (right) has been coming to the El Pueblo Neighborhood Center since she was a young girl attending school in the Sunnyside School District at Elvira Elementary. Selina took folklorico classes with Parks &amp;#x26; Recreation inside the multipurpose room. As an adult with her own young daughter (Mia Sol, pictured alongside her), she now finds herself working to reinvest in the center that she remembers so fondly. During one of the photoshoots on-site, she worked hard to make her daughter feel comfortable around cameras and strangers. Though we may never know what she was telling her daughter, there is a clear bond between the two in this image that is hard to capture with words. Behind them sits the multipurpose room, one which has held all sorts of parties from weddings to quinceñeras. Alongside the patio in which most of these images were taken, the multipurpose room sits within the older area of the El Pueblo Neighborhood Center that is now, unfortunately, surrounded by gates and fences. Though not as exciting as a quinceañera, the multipurpose room still finds use in meetings and theater rehearsals.
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                                            <image:caption>Community | Riley Swindall | 2023 | Digital
&lt;br /&gt;

&lt;br /&gt;
Similar to “Two Dimensional”, this image titled “Community” is another photograph that truly embodies what El Pueblo is made to do. Many of my classmates, myself included, have never been to the center or probably a center like it. And to be able to meet so many amazing members of the community and actually sit down and have real, meaningful conversations with them is new and exciting. This image has so many different aspects to it, from a few classmates chatting with a community member to the banner and conversations going on around them. The filling of the space and abundant usefulness of it was what I was going for in this image. I wanted to again show the liveliness a space like this can produce if you just bring people together. No matter who they are or what their background is, everyone is welcome at El Pueblo to celebrate and converse and just be in a space of so much positivity and warmth. 
&lt;br /&gt;
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                                            <image:caption>Hear Me | Lily Reese | 2023 | Digital
&lt;br /&gt;

&lt;br /&gt;
For Cassandra (left), the center has been part of her life since she first came here from Mexico. One of her first memories in the center is that of taking English classes with her mother, a service that is still offered for both children and adults. 
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                                            <image:caption>Unexpected Conversation | Lily Reese | 2023 | Digital
&lt;br /&gt;

&lt;br /&gt;
It’s hard to host parties and celebrations if buildings around are not maintained. Much like Selina, Alfonso Romero (right in the second image) is someone that grew up at the El Pueblo Neighborhood Center. It’s one of the primary reasons he finds himself working there and helping to maintain what they can with what they have. Despite the center’s neglect, Congressman Grijalva moved his office back to the heart of the community, El Pueblo Center. The office moved into the El Pueblo Center in 2017, before the fences had been installed. Cassandra expressed her hesitations when he first came to her with the idea. Despite this, Congressman Grijalva insisted they move into the center, as this was his first step in bringing the center back to life. His dream is to have the center be a safe and useful space for those who need it once again.
&lt;br /&gt;
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                                            <image:caption>I’m Listening, Lily Reese | 2023 | Digital 
&lt;br /&gt;

&lt;br /&gt;
For Cassandra (left), the center has been part of her life since she first came here from Mexico. One of her first memories in the center is that of taking English classes with her mother, a service that is still offered for both children and adults. 
&lt;br /&gt;

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                                            <image:caption>Old and New | Justin Miller | 2023 | Digital 
&lt;br /&gt;

&lt;br /&gt;
This photograph brings out the concept of imageability. According to Lynch, imageability refers to “that quality in a physical object which gives it a high probability of evoking a strong image in any given observer” (Lynch, 1960). Perhaps a green plant growing in an old pot does not evoke a strong image in some people but, for me, this image symbolizes El Pueblo Center. The clay pot is the physical space of El Pueblo. The living plant represents the activities and life that El Pueblo tries to foster. El Pueblo has several decades worth of history…and the clay planter remains, ready for a new plant, ready to foster new life.
&lt;br /&gt;
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                                            <image:caption>Flags in the Sun | Justin Miller | 2023 | Digital
&lt;br /&gt;

&lt;br /&gt;
This photograph is about hope. The way the flags caught the light was important in communicating the possibility of hope for the El Pueblo Center. he creation of this photograph was about capturing the light on the flags in the midst of shadows cast by the surrounding buildings. The composition of the pictures is about focusing on the contrasts of light and dark and the emotional content that is contained from that juxtaposition. In terms of content, it is an image of a few small flags hung up to create some color in a drab environment.
&lt;br /&gt;

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                                            <image:caption>Solitude | Gillian Franks | 2023 | Digital
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The image Solitude refers to the lack of activity that the El Pueblo Neighborhood Center has been experiencing for the past few years. This photograph displays the papel picado around the patio, which illustrates the undying culture that encompasses the space…The content in this photograph adds a more emotional note to the scene because it represents the all of the happiness and joy that occur within the space, even if it is not being physically used. The El Pueblo Neighborhood Center is used for a multitude of events that include quinceañeras, bachelorette parties, bridal showers, baby showers, birthday parties, graduation parties, and even divorce parties. While all of these event usually occur in the El Pueblo Center’s Multipurpose Room, the patio is a reflection of those events in terms of its hospitality and overall atmosphere. The patio is a central hub within the center that invited the community to talk and connect with each other, which created a greater bond within the neighborhood. 
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                                            <image:caption>Forgotten | Riley Swindall | 2023 | Digital
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In contrast to the image above, “two dimensional”, this image “Forgotten” is a little more eerie and not as lively in comparison. To reflect on the warmth and togetherness of the first image, I thought it would be best to also reflect on the past of El Pueblo. I really wanted people to look at this image and the one before and revel in the fact that it could go from almost abandoned to full of life and love. I thought having this contrast from this image to the first was important to understand the everlasting changes being made to such an important place in the community. 
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                                            <image:caption>Beyond the gates | Lily Reese | 2023 | Digital
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It’s hard to host parties and celebrations if buildings around are not maintained. Much like Selina, Alfonso Romero (right in the second image) is someone that grew up at the El Pueblo Neighborhood Center. It’s one of the primary reasons he finds himself working there and helping to maintain what they can with what they have. Despite the center’s neglect, Congressman Grijalva moved his office back to the heart of the community, El Pueblo Center. The office moved into the El Pueblo Center in 2017, before the fences had been installed. Cassandra expressed her hesitations when he first came to her with the idea. Despite this, Congressman Grijalva insisted they move into the center, as this was his first step in bringing the center back to life. His dream is to have the center be a safe and useful space for those who need it once again.
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                                            <image:caption>Two- Dimensional | Riley Swindall | 2023 | Digital
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I specifically titled this image “Two Dimensional” because of not only the two perspectives you get upon examining but the angle or story each person is telling. You receive my view and angle of some of my fellow classmates taking their own angle and view of essentially the next generation of El Pueblo. This photo also represents the activation of the space, from our class, to the community members who were kind enough to participate, to the balloons and chairs all in the frame, creating almost a scene of life. The space radiates liveliness and warmth upon view. This image truly captures the new life that has been brought into the space and how we are reactivating the “heart of neighborhood.” I chose to capture this image because it embodies the past, present, future of El Pueblo. The “lifeline” of the community doing exactly what it was intended to do, bring people together. 
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                                            <image:caption>Flower Blossom | Gillian Franks | 2023 | Digital
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The image Flower Blossom depicts and alludes to the aspects of the El Pueblo Neighborhood Center that people may not pay as much attention to or notice. The flower blossom that is the subject of the photograph was only one of many flower blossoms in a tree located in the El Pueblo Neighborhood Center patio. However, when there are so many beautiful components it is easy to not appreciate them or notice them. When in reality, it is these little components that are what give the El Pueblo Center unique and individualistic character. The significance of this image lies within the knowledge of knowing that this particular flower represents all of the other beautiful flowers that give the El Pueblo Center a sense of life even when it is not being used. The overall goal that Congressman Grijalva has for the Center is for it to be revamped and for it to thrive. The flower blossoms (along with many other components) help to keep the El Pueblo Center’s originality and help to maintain the unnoticed original characteristics of the Center.
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                                            <image:caption>Highs and Lows | Riley Swindall | 2023 | Digital
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For this image, I titled it Highs and Lows.” As our group did not have a certain person or area that we specifically wanted to photograph, I have a wide range of people, places and moments. One of my favorites to capture was this one. Here you can see Jesse, essentially the caretaker of the Frank de la Cruz- El Pueblo Library. His job is to mend and replace books, keeping this rather charming library in order for anyone who wishes to pay a visit. A quote he said that really stood out to me was, “replacing and fixing books throughout the library is my way of helping the community.” Even through these small acts, Jesse is paving the way for a better community and center for everyone. Although small, its a key aspect to maintaining the liveliness and character of the library. Though this image you can see Jesse looking for books that are damaged or broken, doing his part for the community. I took this image as a true representation of that.
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                                            <image:caption>Community | Justin Miller | 2023 | Digital
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Community starts with people. It is also about people having a place to meet and engage with each other. This photograph shows a small celebration in the courtyard. The space is simple: a few trees, cement block walls framing the enclosure, and stone tiles on the ground. These are the bones of the space. The people and their stories are the lifeblood that creates the energy of El Pueblo. The term “placekeeping” refers to the “active care and maintenance of a place and its social fabric by the people who live and work there” (Manklang, 2018). The key to placekeeping is not just about physical care but the cultivation of cultural memories as well. Keeping cultural memories alive helps people maintain their social roots and their chosen way of life. These community celebrations create the memories that hold a community together.
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                                            <image:caption>Company | Gillian Franks | 2023 | Digital
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In contrast to the image Solitude, the image Company is in reference to the El Pueblo Neighborhood Center’s patio being used by the community. The image depicts the space being used to its full potential and illustrates a sense of fullness within the space. Instead of contributing to the theme of emptiness, the image represents the idea of the importance of the space. The content and context of this image go handin-hand because of the way they both correlate with each other. The content of the image refers to the people being seen who are actively using the space, the papel picado that is along the beams surrounding the patio, and the different shadows and lighting that give the image a little bit more of a positive emotion. The context of this image refers to the the reason why everybody is at the El Pueblo Neighborhood Center, which also sparks the idea that no matter what the reason is that people are at the Center, El Pueblo is still being used to its fullest potential, and it is fulfilling the purpose that it was meant to have. This image is very compelling because it only enhances the clear happy and positive emotions that the El Pueblo Neighborhood Center brings to the community, and demonstrates the completeness that is within the Center while it is being used.
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                                            <image:caption>Camino de Paz | Juliana Tobar | 2023 | Digital Collage
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My digital Collage Camino de Paz is a representation of El Pueblo, and how the community has an impact on Public Transportation. El Pueblo Neighborhood Center has been a beacon of light in the southside community since its opening. By providing essential services to the surrounding community this center has become a crucial aspect of many people’s lives. Some of the people who use the El Pueblo services use the bus as their main form of transportation. Not only that, but they also must the bus to commute to other essential places like the grocery store, or the El Rio clinic. For this project, I interviewed an important member of the community, founder of FUGA, Vanessa Gallego. Through this interview, I was told multiple examples of how other members of El Pueblo use the buses to commute to the senior center or the El Rio Center. This shows how much public transportation aids the El Pueblo and the surrounding community, and how connected they are. In my piece, I have placed the viewer in a bus trip, looking out the window. I used multiple elements of El Pueblo and the neighborhood in my background. The original picture included the Cesar Chavez bridge Over I-10 on Sixth Avenue. Vanessa expressed how big of a symbol that was to the Southside, so I included an outline of it in my image to symbolize the everyday routes that are taken by people living there. 
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                                            <image:caption>La Calle Fugista | Cara Buchanan | 2023 | Digital Collage
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In La Calle Fugista, FUGA bike riders ride across W Irvington Rd, surrounded by community member Selina Barajas and her daughters, Mia Sol and Sofia Luna. This image imagines a celebration overtaking W Irvington Rd, full of community members, bikers, and children playing. Papel picado frames the scene, creating a party atmosphere. The background is full of movement, the blurriness creating a sense of unreality. This collage disrupts the car-centric street to optimistically imagine what a more community-centered and sustainable transit system might look like.
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                                            <image:caption>FUGA on the Map | Cara Buchanan | 2023 | Digital Collage
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This image features participants in a Familias Unidos Ganando Accesibilidad/Families United Gaining Accessibility (FUGA) bike ride riding across the Tucson bus map towards a sunset. The sunset is made up of an image of ‘Tugo’ bike wheels, a program creating rentable bikes for Tucsonans and free bikes for Fugistas, as well as iconic Arizonan clouds. Shadows of community members and visitors to El Pueblo Neighborhood Center are shown in the bottom left corner, framing the scene. The bikeriders ride across a road made up of a mural featured at El Pueblo, depicting the mountains and natural beauty of the Tucson area. The image aims to capture the forward-looking aspirations of the FUGA organization, which is organizing to secure fare-free transit in Tucson and sustainable infrastructure. FUGA takes up road space to make bikeriders visible on the southside while breaking stigmas about bike riding. This is captured in the image by overlaying the Fugistas across Tucson bus routes– putting them literally ‘on the map.’
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                                            <image:caption>Bus #18 | Mireya Ballesteros | 2023 | Digital Collage
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Bus #18 is a digital image consisting of photographs taken while riding bus #18 from the Ronstadt Transit Center to the Laos Transit Center. I edited these photographs onto a basemap of Downtown Tucson, South Tucson, and the southside from center to center. My goal with this was to bring attention to how important the Laos Center is to people who attend El Pueblo Community Center, and Tucsonans overall. Bus #18 is the most used bus in all of Tucson. In an interview with local artist, Luck Salway, he enlightened me on how this bus has impacted his life and the lives of others. From this, I wanted to represent the many people who utilize this source of public transportation, especially the Latino/a/e community and the Indigenous community. I wanted to give perspective on what one might see while they are on bus #18, from different people to different views, and both transit centers. This digital collage comes from a place of gratitude that public transportation is free for the citizens of Tucson. As well as hope for the future, and that the Roy Laos Center will get recognition through this exhibition. 
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                                            <image:caption>Family Ride | Cara Buchanan | 2023 | Digital Collage
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In Family Ride, Sunnyside Foundation’s Selina Barajas, her mother, Gracie Rodriguez, and two daughters, Mia Sol and Sofia Luna, overlay an image of bus 18 over busy W Irvington Rd. Surrounding them are images of papel picado, an El Pueblo mural, and the Ronstadt Center welcome sign. This image highlights how transit justice is a family-centered issue. Those who rely on and fight for accessible transportation in Tucson do so primarily to support and care for their families and communities. The papel picado and mural artwork also create an atmosphere of celebration and reference cultural aspects of El Pueblo. The bus overlays W Irvington Rd, directly across from the Laos Center, El Pueblo, and FUGA’s gathering place.
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                                            <image:caption>Viaje Común | Juliana Tobar | 2023 | Digital Collage
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My digital collage Viaje Comun is a demonstration of the daily lives of bus users. Since my team was focusing on the Laos Transit Center and its impact on the El Pueblo Center and surrounding community, I thought it would be appropriate to create a work that highlighted this important aspect of the southside. Through this piece, I wanted to capture the community of bus users of the Southside. Many times this community tends to be highly stigmatized. These misconceptions can be extremely harmful to those who use public transportation as their main form of transportation. By breaking down the stigma of bus users and putting ourselves in their shoes we can better connect with the El Pueblo community as well as the Southside. Bus commuters are great reminders of the resiliency of the Southside, as well as examples of why Public transportation should remain free in order to be more accessible to those who need it. My digital collage Viaje Comun is a demonstration of the daily lives of bus users. Since my team was focusing on the Laos Transit Center and its impact on the El Pueblo Center and surrounding community, I thought it would be appropriate to create a work that highlighted this important aspect of the southside. Through this piece, I wanted to capture the community of bus users of the Southside. Many times this community tends to be highly stigmatized. These misconceptions can be extremely harmful to those who use public transportation as their main form of transportation. By breaking down the stigma of bus users and putting ourselves in their shoes we can better connect with the El Pueblo community as well as the Southside. Bus commuters are great reminders of the resiliency of the Southside, as well as examples of why Public transportation should remain free in order to be more accessible to those who need it.
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                                            <image:caption>Navigating Through Two Cities II | Stephanie Husman | 2023 | Digital Collage
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My digital fotonovela spread Navigating Through Two Cities is a summation of the multilayered journey of this project. Fare free transit is an essential service that
&lt;br /&gt;
eliminates the mobility barriers for many people in the city. Truly in our and especially bus riders everyday lives we are trying to overcome so much more and having one less barrier lifts up an immense weight. Many bus riders are traveling to different destinations with a purpose that varies from each other and through poetic text and the bus ride I took to get to the Laos Center I
&lt;br /&gt;
wanted to encapsulate that. A student who wants to learn can be applied to students whose only form of transportation is public transit and in a similar vein myself too. I wanted to learn how public transit impacts the Southside, especially the surrounding neighborhoods of El Pueblo. The pioneer in question is Roy Laos who was labeled as “Transit Pioneer &amp;#x27;&amp;#x27; during the time he owned a private bus line that transported people from the south to the west of Tucson. The “Man” is a more general representation of people who use the bus to get to work. Another crucial part I wanted to incorporate in the text is the unizonation between this class and El Pueblo Neighborhood Center and alongside reflect the connection between Tucson and the Southside of Tucson through a bus route. When communities unite, we heal each other and that’s what we need moving forward.
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                                            <image:caption>Navigating Through Two Cities I | Stephanie Husman | 2023 | Digital Collage
&lt;br /&gt;

&lt;br /&gt;
My digital fotonovela spread Navigating Through Two Cities is a summation of the multilayered journey of this project. Fare free transit is an essential service that
&lt;br /&gt;
eliminates the mobility barriers for many people in the city. Truly in our and especially bus riders everyday lives we are trying to overcome so much more and having one less barrier lifts up an immense weight. Many bus riders are traveling to different destinations with a purpose that varies from each other and through poetic text and the bus ride I took to get to the Laos Center I
&lt;br /&gt;
wanted to encapsulate that. A student who wants to learn can be applied to students whose only form of transportation is public transit and in a similar vein myself too. I wanted to learn how public transit impacts the Southside, especially the surrounding neighborhoods of El Pueblo. The pioneer in question is Roy Laos who was labeled as “Transit Pioneer &amp;#x27;&amp;#x27; during the time he owned a private bus line that transported people from the south to the west of Tucson. The “Man” is a more general representation of people who use the bus to get to work. Another crucial part I wanted to incorporate in the text is the unizonation between this class and El Pueblo Neighborhood Center and alongside reflect the connection between Tucson and the Southside of Tucson through a bus route. When communities unite, we heal each other and that’s what we need moving forward.
&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/Z1920445350894968179130861144790/Image_003.png</image:loc>
                                            <image:caption>Navigating Through Two Cities III | Stephanie Husman | 2023 | Digital Collage
&lt;br /&gt;

&lt;br /&gt;
My digital fotonovela spread Navigating Through Two Cities is a summation of the multilayered journey of this project. Fare free transit is an essential service that
&lt;br /&gt;
eliminates the mobility barriers for many people in the city. Truly in our and especially bus riders everyday lives we are trying to overcome so much more and having one less barrier lifts up an immense weight. Many bus riders are traveling to different destinations with a purpose that varies from each other and through poetic text and the bus ride I took to get to the Laos Center I
&lt;br /&gt;
wanted to encapsulate that. A student who wants to learn can be applied to students whose only form of transportation is public transit and in a similar vein myself too. I wanted to learn how public transit impacts the Southside, especially the surrounding neighborhoods of El Pueblo. The pioneer in question is Roy Laos who was labeled as “Transit Pioneer &amp;#x27;&amp;#x27; during the time he owned a private bus line that transported people from the south to the west of Tucson. The “Man” is a more general representation of people who use the bus to get to work. Another crucial part I wanted to incorporate in the text is the unizonation between this class and El Pueblo Neighborhood Center and alongside reflect the connection between Tucson and the Southside of Tucson through a bus route. When communities unite, we heal each other and that’s what we need moving forward.
&lt;br /&gt;
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                                            <image:caption>We are Here, 2023, archival inkjet print, 12” X 12”, from the Viva El Pueblo Project</image:caption>
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                                            <image:caption>The Spirit of El Pueblo, 2023, archival inkjet print, 13” X 19.5”, from the Viva El Pueblo Project</image:caption>
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                                            <image:caption>Mixed, 2023, archival inkjet print, 12” X 12”, from the Viva El Pueblo Project</image:caption>
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                                            <image:caption>A Sense of Pride, 2023, archival inkjet print, 10” X 15”, from the Viva El Pueblo Project</image:caption>
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                                            <image:caption>Roots, 2023, archival inkjet print, 13” X 19.5”, from the Viva El Pueblo Project</image:caption>
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                                            <image:caption>An Attitude, 2023, archival inkjet print, 10” X 15”, from the Viva El Pueblo Project</image:caption>
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                                            <image:caption>Like Monarchs, 2023, archival inkjet print, 13” X 19.5”, from the Viva El Pueblo Project</image:caption>
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                                            <image:caption>Viva El Pueblo, 2023, archival inkjet print, 20” X 30”, from the Viva El Pueblo Project</image:caption>
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                                            <image:caption>The Heart of the Neighborhood, 2023, archival inkjet print, 12” X 12”, from the Viva El Pueblo Project</image:caption>
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                                            <image:caption>&lt;h3&gt;Collage of the Past, Lauren Fields, 2023, Digital&lt;/h3&gt;&lt;br /&gt;
Through this photograph, I have managed to capture numerous glimpses of the past, all depicting events that occurred at the El Pueblo Neighborhood Center. The image I have chosen encapsulates the essence of the past and the aspirations of the community to return to it. It portrays events that highlight the community&amp;#x27;s emphasis on family values and providing a secure space for all its members. During our initial site visit, the storytellers expressed their desire for the community center to revert to its former state. These pictures showcase the events that fostered a familial atmosphere that the community aims to revive in the present.&lt;br /&gt;
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                                            <image:caption>&lt;h3&gt;Community Culture, Marisol Marquez, Digital, 2023&lt;/h3&gt;&lt;br /&gt;
Community culture is important because it allows people to connect with one another and work together towards a common goal. It also helps to create a sense of belonging and identity within the community. These banners were placed in the courtyard for the Dia De los Muertos celebration hosted a while back at the courtyard of El Pueblo. Many events have been hosted in the space, such as quinceaneras, birthdays, and weddings, which have all brought the community together. When speaking to many of the community members, they explained that these celebrations are what enriched the community and brought life to the center. The artist chose to capture the banner with the courtyard in the background because the courtyard has played an important role in cultivating the culture at El Pueblo. The picture was edited to look brighter and more vibrant because the courtyard of El Pueblo has always been a lively place that holds special memories for many. The brightness in many of the photos is a great representation of the bright future El Pueblo holds and the joy it can continue to cultivate for the community.&lt;br /&gt;
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                                            <image:caption>&lt;h3&gt;a corridor of hope, Tyler Green, 2023, Digital Collage&lt;/h3&gt;This photo was originally of an empty hall near the main plaza. While walking through this hallway, I got a distinct sense of melancholy and something resembling nostalgia. After hearing the thoughts of the community members, I realized that the space itself gave off an inherently saddening effect, almost in a liminal sense. One gets the impression of a distant past vibrancy hinted at and echoing through the space. I was inspired particularly by the work of Kevin Lynch’s The Image of The City, in that this space is very much a transitive connection, and one that has been left off to the side as a result of the closing off of the area. My attempt with this edited final version was to show hints of how the spatial organization of the area could be completely different, and that it isn&amp;#x27;t written in stone. The hints of brightness and polka dots on the walls show little windows into a more lively space that could be created. The green door at the end of the hallway could thus be interpreted as a goal to be strived for, an ideal version of the area that is filled with vibrancy even more than the hints of which are already present. It gives a contrasting sense of both the past and present being within spaces all at once. Most aren’t actively looking for them, but people such as those who are leading El Pueblo do, and they are doing everything they can to bring out these hidden and reflected glimmers of hope and vibrancy. All it takes is imagination, and hope. Both of which the leadership of El Pueblo have a lot of.</image:caption>
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                                            <image:caption>&lt;h3&gt;El Pueblo Youth, Neylan Jeffreyes, 2023, Digital &lt;/h3&gt;&lt;br /&gt;
This photo was taken in the office of Congressman Raύl Grijalva with the gracious help of Cassandra Becerra, Director of Public Engagement, Rep. Raúl M. Grijalva. My goal and inspiration when we visited was to be able to capture the homey and vibrant essence of the past in the community center’s spaces. This image was taken during one of the shows that the staff and volunteers put on for the kids at the El Pueblo Center. They used to put on comedies, puppet shows, and different cultural events. I loved how eager and focused these kids look together. The youth of El Pueblo found great joy in going to this center every week. It was a place they could be around friends and family, but also a place to learn and know that you were safe. Many kids and parents found a sense of comfort coming to El Pueblo Center and was a great way to keep growing the culture of the community. You can really feel from looking at this picture how much life has been in this community for many decades. I was very lucky that Ms. Becerra was able to find this picture so that I’m able to share it and continue the circulation of the past of El Pueblo.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;h3&gt;Collage of the Past, Lauren Fields, 2023, Digital&lt;/h3&gt;&lt;br /&gt;
Through this photograph, I have managed to capture numerous glimpses of the past, all depicting events that occurred at the El Pueblo Neighborhood Center. The image I have chosen encapsulates the essence of the past and the aspirations of the community to return to it. It portrays events that highlight the community&amp;#x27;s emphasis on family values and providing a secure space for all its members. During our initial site visit, the storytellers expressed their desire for the community center to revert to its former state. These pictures showcase the events that fostered a familial atmosphere that the community aims to revive in the present.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;h3&gt;Limpia, Maelyca Drazkowski, Digital, 2023&lt;/h3&gt;&lt;br /&gt;
This image that I have titled Limpia features many cultural fragments. We see the sage that is burnt before the Congressman is to return from Capitol Hill by his staff and burnt again by him upon return as well. I felt as though this picture was important when displaying who El Pueblo is because it shows the traditions and cultures behind the space. El Pueblo is more than just a space for the community to go, but a safe haven for its employees and staff members. Another element of this image that I really enjoy is the Virgen de Guadalupe candle that is placed right beside the sage. This candle cleanses your space, and is believed to bring positive energy. I believe that the entirety of this image shows just how dedicated El Pueblo is to bringing positivity to Tucson, and fulfilling a desire for its community to feel and see greatness. With that being said, I thought it was important to keep this image as raw and unfiltered as possible so that it would accurately display how this area is not only seen but how it is interpreted by each individual that comes into contact with the scene. &lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;h3&gt;Alfonso’s Stories, Calvin Welch, 2023, Digital Collage &lt;/h3&gt;&lt;br /&gt;
This digital photograph is of local community member and City of Tucson Parks and Recreation Communications Supervisor, Alfonso Romero, after he shared with me a few stories of his childhood at El Pueblo. The interview/conversation that I personally had with Alfonso covered a variety of subject matter ranging from anecdotal stories of playing pick-up basketball with his friends in the patio (shown behind him), to volunteering for community relief events such as “Thanksgiving in the Barrio.” By creating a collage using photos including a group of children&amp;#x27;s basketball game, the 2016 “Thanksgiving in the Barrio” event held at the center, and Alfonso himself, I was able to blend them together by manipulating the opacity of each photo. Using Photoshop, I was then able to smoothly blend each photo together in order to create a natural transition between borders. The focus of this collage is composition and cultural context. The placement of each photo is carefully planned in order to truly encapsulate the full meaning behind it. Playing basketball with his friends and serving community members on Thanksgiving are not just memories of the past, these things are not behind him as much as they are within him. What I found to be most meaningful during our conversation was the moment Alfonso reflected on the impact that these events had on the younger generations. These events were so meaningful and helped so many peoples families that years later, the very children who attended them returned in order to volunteer and help their neighbors and southside community. Stories like Alfonso&amp;#x27;s really encapsulate the special bond that this center holds with all generations it has seen and will see. &lt;br /&gt;
&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;h3&gt;Light in the Dark, Maelyca Dravkowski, 2023, Digital&lt;/h3&gt;&lt;br /&gt;
This image is of a shadow from one of the remaining banners hanging from the Dia De Los Muertos celebration that was held at El Pueblo Center. Dia De Los Muertos directly translates to Day of the Dead. It is a celebration of remembrance for those that came before you whether they be loved ones or historical figures that paved the way. I was moved to take this photo because the courtyard pillar in which this shadow is so perfectly placed, the courtyard being a part of the original building of El Pueblo Neighborhood Center. I feel as though this image is the perfect celebration of the center that used to be, and what it has become–the little library that started in an office size building and the multi-purpose room they are starting renovations on. Throughout this photo-project we refer to El Pueblo Center as a who, personifying its presence in the community and continuing this sentiment. I feel as though this photo represents the current El Pueblo Center, celebrating the person that came before it, almost like a daughter celebrating her mother and who she encouraged her to become.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;h3&gt;&lt;/h3&gt;</image:caption>
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                                            <image:caption>&lt;h3&gt;Selina’s Girls, Piper Kilb, March 23, 2023, Digital&lt;/h3&gt;“Selina’s Girls” is part of the digital collection, “Intergenerational Families: El Pueblo Neighborhood Center.” In this project, several photographers and artists work together to compose images of intergenerational families from El Pueblo Neighborhood Center to show the impact that generations can have on a community and society. This photograph shows Selina Barajas, her mother Gracie, and her two daughters: Mia Sol and Sofia Luna. Working with Selina Barajas throughout this project all semester has been very rewarding. Our class hears her talk all the time about how important El Pueblo is to her and her family and you can tell how much she loves the site because we see how much work she puts into this project for our class. Seeing and talking to Selina’s mother and her two precious daughters about all of their memories with El Pueblo was very special. The comfort and security that the children felt there was very visible and I think this photo depicts that as well. In this photo, I captured Selina and her family in front of this tree which is very special to the El Pueblo Neighborhood Center. Our project as we focus on Intergenerational families and so it represents the concept of “family trees.” This photo was my favorite to capture because you can see the personality shine throughout each person in the photo. To see all of the personalities of one family and how different they are in the photo is very special and I was grateful to take part in it.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>Diagram of the Design Thinking Process&lt;br /&gt;
&lt;br /&gt;
National Equity Project (April 2021, Oakland, CA) Liberatory Design for Equity Process&lt;br /&gt;
&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2400387532201524298913711180502/Image_001.jpg</image:loc>
                                            <image:caption>Ground/Water II: Water Advocacy on the Santa Cruz River</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2400387655185967038335291804374/Image_002.jpg</image:loc>
                                            <image:caption>Waterfalls on the Santa Cruz River in 1889 near Sentinel Peak in Tucson. (Arizona Historical Society)&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2400387823364932758345273887446/Image_003.jpg</image:loc>
                                            <image:caption>Waterfalls on the Santa Cruz River in 1889 near Sentinel Peak in Tucson. (Arizona Historical Society)&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2400388154354861672915758533334/Image_005.jpg</image:loc>
                                            <image:caption>Collage of images of outfalls from Tucson Water’s Santa Cruz River Heritage project straddle a shot of the UV trains treating contaminated groundwater at Tucson Airport Remediation Project (TARP) facility.  (Jacqueline Barrios)&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2400390884841919463403588733654/Image_004.png</image:loc>
                                            <image:caption>ART 343A student print of the Santa Cruz River. (Maddox Muench)&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2400390974862030543106200619734/Image_007_SCR-Watershed-Map-letter-w-HP.jpg</image:loc>
                                            <image:caption>Effluent - Dependent Reaches of the Santa Cruz River (Sonoran Institute)&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2400391078366711540690494737110/Image_013.png</image:loc>
                                            <image:caption>Santa Cruz River Heritage Project (Tucson Water)&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2400398361270399049737439595222/Image_019.jpg</image:loc>
                                            <image:caption>Tucson International Airport Authority (TIAA) Superfund Site Maps (Disabled Ecologies, Sunaura Taylor) &lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2400398361344186026032277801686/Image_023.png</image:loc>
                                            <image:caption>TARP aquifer diagram (Tucson Water)&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2400398361307292537884858698454/Image_021.jpg</image:loc>
                                            <image:caption>Tucson Airport Remediation Project (TARP)  Water Treatment Facilities (Tucson Water)&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2400398360883017424189539011286/Image_014.jpg</image:loc>
                                            <image:caption>Selections from  Jane Kay’s Arizona Daily Star May 1985 coverage of  the TCE story. Courtesy, Arizona Daily Star.&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2400398361251952305663730043606/Image_018.jpg</image:loc>
                                            <image:caption>Tucson International Airport Authority (TIAA) Superfund Site Maps (Disabled Ecologies, Sunaura Taylor) &lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2400398361325739281958568250070/Image_022.png</image:loc>
                                            <image:caption>TIAA Superfund Site Plume and  Diagrams (Tucson Water)&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2400398361288845793811149146838/Image_020.jpg</image:loc>
                                            <image:caption>Tucson Airport Remediation Project (TARP)  Water Treatment Facilities (Tucson Water)&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2400398361233505561590020491990/Image_017.jpg</image:loc>
                                            <image:caption>Image of Hughes Aircraft Lagoons (US Environmental Protection Agency EPA) &lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2400398361381079514179696904918/Image_025.jpg</image:loc>
                                            <image:caption>Recent Tucson headlines on PFAS clean-up (Arizona Republic) </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2400398361362632770105987353302/Image_024.jpg</image:loc>
                                            <image:caption>Recent Tucson headlines on PFAS clean-up (Guardian)&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2400398361215058817516310940374/Image_015.jpg</image:loc>
                                            <image:caption>Selections from  Jane Kay’s Arizona Daily Star May 1985 coverage of  the TCE story. Courtesy, Arizona Daily Star.&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2400403622189575151333012720342/Image_036.jpg</image:loc>
                                            <image:caption>Handout developed for PAH 420 + ART 343 Collaborative Class Share-Out, April 2025  (Jacqueline Barrios)&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2400404804754997484631238167254/Image_061.jpg</image:loc>
                                            <image:caption> Selections from  Jane Kay’s first day (of an 8-day series) covering  the TCE story for Arizona Daily Star (Arizona Daily Star).&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2400404804736550740557528615638/Image_060.jpg</image:loc>
                                            <image:caption> Selections from  Jane Kay’s first day (of an 8-day series) covering  the TCE story for Arizona Daily Star (Arizona Daily Star).&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2400404804699657252410109512406/Image_058.jpg</image:loc>
                                            <image:caption>Students from multiple colleges, Fine Arts, Humanities and Architecture discuss their projects with faculty and administrators during a collaborative class share-out in April 2025.  (Martina Shenal)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2400404804422956091304466238166/Image_057.jpg</image:loc>
                                            <image:caption>Unified Community Advisory Board (UCAB) Community Co-chair, and invited guest reviewer, Yolanda Herrera with PAH 420 student during a collaborative class share-out in April 2025.  Herrera is the longest-serving and only female co-chair to run one of the longest-running EPA community advisory boards in the nation, now celebrating its thirtieth anniversary. (Martina Shenal)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2400404804718103996483819064022/Image_059.jpg</image:loc>
                                            <image:caption> Selections from  Jane Kay’s first day (of an 8-day series) covering  the TCE story for Arizona Daily Star (Arizona Daily Star).&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2400406849207643173860843768534/Image_037.png</image:loc>
                                            <image:caption>ART 343A student contact sheets from collaborative field trip to the Santa Cruz River, March 2025. (Martina Shenal)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2400406849558131311261325249238/Image_038.jpg</image:loc>
                                            <image:caption>ART 343A student print of the Santa Cruz River. (Katie Dusza)&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2400406849631918287556163455702/Image_042.jpg</image:loc>
                                            <image:caption>ART 343A student print of the Santa Cruz River. (Katie Dusza)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2400406849650365031629873007318/Image_043.jpg</image:loc>
                                            <image:caption>Psychology major and art minor Maddux Muench’s 6 x 17cm 3D-printed panorama camera images that show how his  working methodology in the field is reminiscent of an archaeologist or geologist. (Maddux Muench)&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2400406849668811775703582558934/Image_044.png</image:loc>
                                            <image:caption>Psychology major and art minor Maddux Muench’s 6 x 17cm 3D-printed panorama camera images that show how his  working methodology in the field is reminiscent of an archaeologist or geologist. (Maddux Muench</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2400406849576578055335034800854/Image_039.jpg</image:loc>
                                            <image:caption>ART 343A student print of the Santa Cruz River. (Aidan Gravelle)&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2400406849595024799408744352470/Image_040.jpg</image:loc>
                                            <image:caption>ART 343A student print of the Santa Cruz River. (Renee Markovich)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2400406849613471543482453904086/Image_041.jpg</image:loc>
                                            <image:caption>ART 343A student print of the Santa Cruz River. (Katie Dusza)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2400409937358621809503170251478/Image_051.jpg</image:loc>
                                            <image:caption>Sample rubbings of graphite and sepia oil pencil on rice paper (PAH 420)&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2400409937432408785798008457942/Image_055.jpg</image:loc>
                                            <image:caption>Team images at the Santa Cruz River Bed taken with Insta360 cameras  (PAH 420)&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2400409936860559719513012357846/Image_045.jpg</image:loc>
                                            <image:caption>PAH 420 student polaroids from collaborative field trip to the Santa Cruz River, March 2025. (Martina Shenal)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2400409937266388089134622493398/Image_046.jpg</image:loc>
                                            <image:caption>Recreational equestrian riders at the Santa Cruz River bed, students conducting fieldwork in the dry riverbed. Photographs produced at the Cushing/Frontage road section of the river during collaborative field trip to the Santa Cruz River, March 2025. (Kenny Wong)&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2400409937340175065429460699862/Image_050.jpg</image:loc>
                                            <image:caption>Sample rubbings of graphite and sepia oil pencil on rice paper (PAH 420)&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2400409937377068553576879803094/Image_052.jpg</image:loc>
                                            <image:caption>Sample rubbings of graphite and sepia oil pencil on rice paper (PAH 420)&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2400409937395515297650589354710/Image_053.jpg</image:loc>
                                            <image:caption>Sample rubbings of graphite and sepia oil pencil on rice paper (PAH 420)&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2400409937321728321355751148246/Image_049.jpg</image:loc>
                                            <image:caption> Rubbings of the Santa Cruz River bed at Cushing &amp;#x26; Frontage (Jacqueline Barrios)&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2400409937450855529871718009558/Image_056.jpg</image:loc>
                                            <image:caption>Team images at the Santa Cruz River Bed taken with Insta360 cameras  (PAH 420)&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2400409937303281577282041596630/Image_048.jpg</image:loc>
                                            <image:caption>Rubbings of the Santa Cruz River bed at Cushing &amp;#x26; Frontage (Martina Shenal)&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2400409937413962041724298906326/Image_054.jpg</image:loc>
                                            <image:caption> Students conducting fieldwork at Santa Cruz River bed at Cushing &amp;#x26; Frontage (Martina Shenal)&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2400409937284834833208332045014/Image_047.png</image:loc>
                                            <image:caption> Recreational equestrian riders at the Santa Cruz River bed, students conducting fieldwork in the dry riverbed. Photographs produced at the Cushing/Frontage road section of the river during collaborative field trip to the Santa Cruz River, March 2025. (Kenny Wong)&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2500522823252558895249214458582/IMG_2791.jpeg</image:loc>
                                            <image:caption>PAH 420 “Southside Stories of Resilience” Panel and Site Visit at El Pueblo, January 2025  (Jacqueline Barrios, Jasmine Lopez)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2500522823234112151175504906966/IMG_2126.jpeg</image:loc>
                                            <image:caption>TARP and Irving Outfall site visit with UCAB members November 2024  (Jacqueline Barrios)&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2500522823178771918954376252118/IMG_2118.jpeg</image:loc>
                                            <image:caption>TARP and Irving Outfall site visit with UCAB members November 2024  (Jacqueline Barrios)&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2500522823271005639322924010198/IMG_2793.jpeg</image:loc>
                                            <image:caption>PAH 420 “Southside Stories of Resilience” Panel and Site Visit at El Pueblo, January 2025  (Jacqueline Barrios, Jasmine Lopez)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2500522823344792615617762216662/IMG_6685.jpeg</image:loc>
                                            <image:caption>PAH 420 “Southside Stories of Resilience” Panel and Site Visit at El Pueblo, January 2025  (Jacqueline Barrios, Jasmine Lopez)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2500522823326345871544052665046/IMG_6649.jpeg</image:loc>
                                            <image:caption>PAH 420 “Southside Stories of Resilience” Panel and Site Visit at El Pueblo, January 2025  (Jacqueline Barrios, Jasmine Lopez)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2500522823289452383396633561814/IMG_2868.jpeg</image:loc>
                                            <image:caption> PAH 420 Archives Day with CCP and Special Collections, February 2025  (Jacqueline Barrios)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2500522823215665407101795355350/IMG_2121.jpeg</image:loc>
                                            <image:caption>TARP and Irving Outfall site visit with UCAB members November 2024  (Jacqueline Barrios)&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2500522823307899127470343113430/IMG_2873.jpeg</image:loc>
                                            <image:caption> PAH 420 Archives Day with CCP and Special Collections, February 2025  (Jacqueline Barrios)</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://ss22.st/gw-remediating</loc>
            
            
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            <url>
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                                    </image:image>
            
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            <url>
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            <lastmod>2025-11-07T09:11:09+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2624719097063106249859914844886/team_4_Tierney_BehindtheFence_ThreeHangars_25_04_Collage.jpg</image:loc>
                                            <image:caption>Behind the Fence, Megan Tierney 2025, digital collage, Three Hangars, Tucson.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2624719096933979041343947983574/team4_tierney_dtywells_waterwhispers_2-25.png</image:loc>
                                            <image:caption>Dry Springs, Megan Tierney,2025, digital. Well C-078A, Tucson.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2624719096970872529491367086806/team4_weich_westernwaterracing_whispers_2025.jpeg</image:loc>
                                            <image:caption>Western Water Racing, Marty Weich, 2025, polaroid. Santa Cruz River, Tucson.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2624719096915532297270238431958/team4_riversky_waterwhispers_2025.png</image:loc>
                                            <image:caption>River Sky is a 360° photo taken in the dry Santa Cruz River bed, a historically and environmentally significant site in Southside Tucson. A harsh desert landscape surrounds us, contrasted by a vibrant, open blue sky stretching above. Though the land appears barren, green patches of life emerge, symbolizing resilience &amp;#x26; quiet growth. The spherical framing of the photo places our group in a circle, equally spaced, reminding us of community, connection, and shared experience. The sky dominates the frame, reinforcing the idea that we are just a small part of a much larger story- a long history of environmental, social, and cultural challenges in this area. This image reflects how standing together in a place with a difficult past can be a symbol of solidarity, awareness, and hope. Like the community of Tucson’s Southside, we are surrounded by history, hardship, and beauty, yet still looking upward and outward with purpose.</image:caption>
                                    </image:image>
            
                
                <image:image>
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                                            <image:caption>Ground Zero, Marty Weich, Marty Weich, 2025, digital. Three Hangars,Tucson.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2624719097044659505786205293270/team4_Tierney_Echoes_of_the_Past_Collage_ThreeHangars_2_2504.jpg</image:loc>
                                            <image:caption>Echoes of the Past, Megan Tierney 2025, digital collage. Three Hangars, Tucson.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2624719096989319273565076638422/team4_weich_industrialscars_waterwhispers_2025.JPG</image:loc>
                                            <image:caption>Industrial Scars, Marty Weich, 2025, digital. Three Hangars,Tucson.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2624719096952425785417657535190/team4_carpenter_well_waterwhispers_2025.png</image:loc>
                                            <image:caption>West Santa Maria, Jack Carpenter2025, digital. Well C-078A, Tucson.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2624719097026212761712495741654/team4_weich_tucson_remembers_waterwhispers_2025.jpg</image:loc>
                                            <image:caption>Tucson Remembers, Marty Weich, 2025, digital. Three Hangars,Tucson.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2628147339944670568364292491990/team4_weich_gatedhistory_waterwhispers_2025.jpg</image:loc>
                                            <image:caption>Gated History, Marty Weich, 2025, digital. Three Hangars,Tucson.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2628150888434147563428479552214/team4_weich_pollutionsgateway_waterwhispers_2025.jpg</image:loc>
                                            <image:caption>Pollutions Gateway, Marty Weich, 2025, digital. Three Hangars,Tucson.</image:caption>
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